Air Defence A History of United Kingdom Air Defence in the 2. Century. A HISTORY OF UNITED KINGDOM AIR DEFENCE IN THE 2. CENTURYJohn Prior 2. AIR DEFENCE It was recognised by politicians and military staff before the First World War that there was a possibility that aircraft would attack England. The need for an Air Defence system to protect the United Kingdom was re emphasised very early in the war when Great Britain began to be attacked by airships and aircraft. It was realised that not only did we need aircraft in the air to repel attack but that if we could obtain even a few minutes warning of the approach of enemy aircraft we might be able to intercept them with fighter aircraft or shoot them down with artillery before they reached their targets. Military staff realised that any system to counter the threat would be complex. It would need airborne fighter aircraft, ground based guns and searchlights, an information gathering system and a battle planning and management capability. These features were established during WW1 and they have remained in place implemented in newer and newer technologies as the years have passed. The defence system has two main purposes. Firstly to defend the homeland against attack, should it occur, so as to minimise losses of equipment and people and to enable our defence forces to fight on for as long as is necessary. IZGnCu5hRzc/hqdefault.jpg' alt='Royal Trumpet Sound Effects' title='Royal Trumpet Sound Effects' />Secondly to deter aggressors so that they realise that they will have to make very large investments in weapons, in manpower and training, and in losses should they wish to start and progress a war. During the past century the UK has maintained an effective Air Defence system that has adapted and evolved to meet the continuous change of technology and the changing threat from actual and potential enemies. The ever changing threat scenario has led to ten significantly different Air Defence systems over the course of the past 9. Purple49/v4/fe/27/2b/fe272bd4-1ffa-9fb0-2809-c8e94b9a39e1/source/1200x630bb.jpg' alt='Royal Trumpet Sound Effects' title='Royal Trumpet Sound Effects' />AIR DEFENCE GENERATIONS                                                                                                                                                                                             THE   THREAT                                                         WW1 1. GERMANY                                                         STEEL BARTHOLOMEW PLAN 1. GERMANY                                                                                           FIFTY TWO SQUADRON PLAN 1. FRANCE                                                        REORIENTATION PLAN  1. GERMANY                                                        CHAIN HOME  1. GERMANY                                                          ROTOR   1. USSR                                                        MASTER RADAR SITES 1. USSR                                                        LINESMAN 1. USSR                                                        IUKADGE 1. USSR                                                           ASACS                                                                                                                           FOR                                                                                                                                                                                                                                                                                SECURITYDevelopment of Air Defence has been a process of virtually continuous adaptation and enhancement. Great advances have been made in the technology of all three of the main elements of the defence system Aircraft, Data Gathering, and Battle Management. This book gives an abbreviated history of the development of UK Air Defence and will summarise pictorially the various threats and defence systems of the past nine decades. THE START OF IT ALL                   1. GERMAN  SEAPLANE DROPS   BOMB ON DOVER ON  2. DECEMBER 1. 91. 4                                                        It all started when a German  seaplane flew over the town of Dover. The seaplane was a Friedrichshafen FF2. Its primary purpose was reconnaissance and it was observing the Naval dockyard and the Castle. The pilot saw an opportunity to attack and he dropped a 2. Trumpet Fanfare Sound Effect Subscribe here httpswww. RoyalFreeSoundsubconfirmation1 Visit my channel for more Royalty Free Sound. CRUCIAL BLAST WEBSTORE NEW ARRIVALS FOR SUNDAY FEBRUARY 5TH 2017 Welcome Some of the other new, recently released and newly added titles that are. A pictorial History of United Kingdom Air Defence systems in the 20th Century. It describes a century of advancing technology in Aircraft, Radar systems, data. Miles Dewey Davis III May 26, 1926 September 28, 1991 was an American jazz trumpeter, bandleader, and composer. He is among the most influential and acclaimed. Etymology. The word elephant is based on the Latin elephas genitive elephantis elephant, which is the Latinised form of the Greek elephas. Purple/v4/98/da/c6/98dac6c1-ace6-8385-7caf-aba2be3768e1/source/320x480bb.jpg' alt='Royal Trumpet Sound Effects' title='Royal Trumpet Sound Effects' />Dover Castle. It missed and landed in the vicarage garden where it blew a large hole in the lawn. A seaplane returned four days later to drop two bombs near Cliffe railway station, Kent. There were no fatalities and the plane was chased away by defending aircraft. This first bomb served notice on England that the war, hitherto fought in France, could be brought to the homeland. FF2. A month later the Germans commenced a series of air attacks using Airships. The first raid was by Zeppelins on Yarmouth and Kings Lynn. These raids killed four people. By May 1. 91. 5 the Airships were attacking London. The first raid on London made by the LZ 3. May 1. 91. 5, killing seven and injuring thirty five. Nine British fighters attempted to attack the Zeppelin but it was too high. It appears that this first raid was as a result of a navigation error because only in July did the Kaiser authorise  raids against urban centres. Great damage was caused by a Zeppelin raid on London on the 8th of September 1. Zeppelin, the L1. Small Business Server 2003 Iso on this page. London. During 1. The LZ 4. 5L1. 3 shown below is the same type as the LZ 3. England dropping 2. LZ 4. 5L1. 3 2The attack tactics were simple. The airships would attack at dusk and night time when they were less visible to defences and they could use factory and street lighting, before blackout was enforced, to decide the target. The defending aircraft initially found them difficult to attack even when alerted to an attack because they flew high. The airship top speed was close to that of the defending aircraft and, at the start of the war, the defenders aircraft did not have  a fast enough rate of climb to intercept regularly before enemy bombs were dropped. The Zeppelin was also heavily defended with five machine guns so it was dangerous to be too near. Raids continued until 1. The final raid of the campaign was on 1. Oct 1. 91. 7 when 1. Zeppelins carried out the last airship raid on Britain. During the course of the war airships made 5. Twenty nine airships were destroyed on the ground or in the air. The main military benefit of the raids to the Germans was the fact that the raids caused several squadrons of aircraft and other forces to be retained in Britain rather than being sent to the front. Some 1. 7,0. 00 men were involved with the air defence of Britain in 1. Count Von Zeppelin invented the Zeppelin airship. He flew his first machine on 2 July 1. It was novel in two important respects. Firstly an internal combustion engine powered it. These had only been invented four years earlier in 1. Secondly it had a strong internal metallic framework inside which there were the hydrogen gas bags. This framework enables it to travel at speed without distorting as had previous air balloons. The Zeppelin was a huge aircraft. Count Von Zeppelins first Airship had a length of 1. The gasbag could hold 1. Hydrogen. It was powered by two 1. Daimler engines and could achieve a speed of almost 1. Later military models had over 3. The airships could carry 2,0. Kg of bombs and defended themselves with machine guns operated from the two Gondolas. Later models could operate at heights of up to 2. Trumpet Studio Trumpet Lessons Trumpet Video Lessons and Pro Tips Trumpet Articles Midi Files and Trumpet Mouthpiece Selection Guide. We have Trumpet Finger Charts, Trumpet Scales, Learn How to Play The Trumpet. TRUMPET SKILL BUILDINGCan you double tongue ALL two octave scalesCan you hit a double C and higher Do you have a beautiful warm, rich tone All of these playing styles and more can be MASTERED through Skill Building. Smart practicing and Skill Building is somewhat a lost art. All of us want to pick up the horn, have fun and play various music. But what are our goals What are we trying to achieveIf we are just playing for enjoyment then THAT is the goal. But if your goal is to improve or get better, then you must add Skill Building to your practice routine. What is Skill Building Begin working on a particular skill tonguing, scales, range in simple, attainable steps, then increasing the difficulty SLIGHTLY. Practicing that level for many repetitions UNTIL MASTERED, then increasing the difficulty. It may take hours, days or weeks to MASTER a particular level. Mastery is obtained when you can play a particular passage or selection 1. How to do Skill Building Lets take the double tonguing example of two octave scales. It is taken for granted that you have MASTERED double tonguing. If not you would do these exercises. MASTER single tonguing the scales in sixteenth notes from 4. BPM to 1. 32 BPM. Muscle memory and technique are being developed. SLOWLY begin double tonguing the scales and MASTER each metronome marking. Increase the tempo as each level is MASTERED could take 6 monthsNow, after six months of Skill Building, you have MASTERED double tonguing two octave scales If you had followed your normal practice routine, what would your skill level be on double tonguing two octave scales IT TAKES HARD WORK AND DEDICATION. Believe me, Im not perfect, there are days when I play for fun. To improve on a consistent basis add Skill Building to your practicing sessions The key to greatness is PATIENCE. Serial Araxis Merge 6.5 on this page. Double Tonguing and Single Tonguing. Can you WORK in a calm methodical fashionCan you be patient enough to allow yourself time to DEVELOP SKILLS and PRACTICE This information is truly the greatest gift. This is a process you can do with all of your music, begin working passages, exercises, pieces in a slow methodical manner. As you work the piece, you should also concentrate on the correct sound, timbre, tonguing, phrasing and musicality. After 1. 0 or more repetitions of playing just 2 3 measures perfectly, increase the speed one metronome marking. THIS WILL MAKE YOU A BETTER PLAYER, FASTERCan you be patient AND do the work To those of you that go for walks, I have the best kept secret. Walking in a steady tempo is perfect for practicing tonguing REMEMBER patience. For the first week of walking, each step should be a double tongue syllable. Step Ti Step KA Step Ti Step KA etc IDEALLY, if you could do this for two weeks it would be FANTASTIC Think you can You want to be sure to clearly enunciate each syllable, a sharp Ti and an equally clear KA THATs ALL and enoughThe third week You did do two weeks of Ti and KA RIGHT you should begin to combine the two. We walk at approximately 8. Beats Per Minute. This is a great starting tempo for double tonguing. Again, not in a hurry, but taking the time to practice and develop the skills, slowly and clearly say Ti KA to EACH step. Do this for THREE weeks. The rhythms need to be clean and precise, there should be NO difference between the TI or KAAFTER FIVE WEEKS, of skill building now you can play popular double tonguing books and gradually increase the speed. FOR THE BEST RESULTS, go back to the third week exercises and practice slowly, cleanly and clearly. If you are willing to DO THE WORK and be PATIENT you will succeed at double tonguing in just a few monthsSyllables For Single Tonguing TA, TEE, TOO, DA, DEE, DOSyllables For Double Tonguing TI KA, TA KA, DA KA, TEE KEE, DEE KEEOr combinations from single tonguing syllables with a KA or KEE ending. TRUMPET LIP BUZZINGALL sound is created through vibrations On brass instruments the source for vibrations is the lips. A full, rich buzzing sound translates into a warm rich trumpet sound. Star Wars Rpg Saga Edition The Unknown Regions Pdf To Word. Minute Buzz Session. ALL sound is created through vibrationsOn brass instruments the source for vibrations is the lips. A full, rich buzzing sound translates into a warm rich trumpet sound. Take slow deep relaxing breaths, blow a large volume of air through the mouthpiece for six counts repeat 1. Flap Lips horse lips in relaxed fashion for 1. Begin to buzz lips, buzzing tones in the pedal range Relaxed and Full 2 minutes4 Slides slowly slide the pitch in the following fashion over 1. Pedal Low up and downLow Middle up and downMiddle High up and downLow High up and downPedal High up and down5 Slur simple tunes on your lips. Buzz some of your etudes, studies and pieces 3 5 minutesTIPS To facilitate a richer buzz, try this Lightly touch the tongue to the backside of the lips It will dramatically help the lips to vibrate in a fuller fashion. IMPORTANT The tongue should never pass the teeth when playing the trumpet. The tongue is being used in these exercises to increase lip vibration. The car is a great place to practice during your daily commutePracticing Through years of teaching, Mr. Droste came to the realization that students are trying to bypass Basic Skills to play songs. He wrote this book to teach others how to master all aspects of trumpet technique. With these Basic Skills mastered, one can successfully play all types and styles of music. The Following passages are taken From The Ultimate Warm Up for Trumpet by Michael Droste. This 1. 00 page, 1. Warming Up Basic Skills. Included are air exercises, lip buzzing, mouthpiece work, long tones, tonguing, flexibility exercises, scales, range and phrase studies, its all there, with all of the information sequenced appropriately to optimize your practicing This 1. Cotton Fiber Writing Paper. The book also contains a complete set of all the articles from Trumpet. Studio. com. It is made to last the test of time. The Ultimate Warm Up Practice Guide The first step in determining a practice schedule is to define your goals and level of commitment. The more time you are willing to devote towards improvement, the greater your results. It is my firm belief that many of us were never taught correctly. We were taught to concentrate on individual pieces of music for concerts, or exercises from band method books, and not on the basic skills that are required to play the trumpet You must do the work from the following chapters in this specific order to obtain the highest rewards from your practice efforts. Above all, practice as consistently as possible and try to never skip more than one day of practice. The following is a Practice Schedule for 3. Minute Sessions BASIC SKILLS PRACTICE SCHEDULE3. Minutes. 60 Minutes. Minutes. Part 1. Getting Your Air Moving. Minute. 2 Minutes. Minutes. Part 2. Lip Buzzing. Minutes. 4 Minutes. Minutes. Part 3. Mouthpiece Work. Minutes. 4 Minutes. Minutes. Part 4. Long Tones. Minutes. 4 Minutes. Minutes. Part 5. Tonguing. Minutes. 6 Minutes. Minutes. Part 6. Flexibility. Minutes. 4 Minutes. Minutes. Part 7. Scales. Minutes. 6 Minutes. Minutes. Part 8. Range Study. Minutes. 4 Minutes. Minutes. Part 9. Flow Studies. Minutes. 6 Minutes. Minutes. Part 1. 0.